So, what’s the deal with the genres Mystery, Thriller, and Suspense??
Most readers don’t know the difference, but if you’re trying to place your book in the best genre to find the perfect readership, a writer should know the difference. The difference depends on if the reader knows what’s going on in advance and which character is telling the story. There is also some vague talk in the industry about pacing playing a role. Some say a thriller moves at a faster pace and a suspense novel moves at a slower pace.
Mystery – A mystery is a story where the reader finds out what’s going on at the same time as the character. Sherlock Holmes knows he has dead bodies piling up but doesn’t know who the murderer is. The reader can decipher the clues as the Sherlock uncovers them.
Thriller – In a thriller, the reader already knows whodunit and is merely along for the ride. If a story is about Jack the Ripper, the reader already knows what is going to happen and who is responsible, and in the story, the reader lives in the moment with either Jack or the one chasing him. If the story is told from the victim’s point of view, it could be categorized as Suspense (see below) because they know something is going to happen, but don’t know what it is. (One can usually recognize suspense by the ominous music in the background. LOL).
Suspense – The reader knows something is going to happen and perhaps knows who will do the deed, but something is unknown. Either the character doesn’t know it’s coming, or the reader doesn’t know the specifics of what, when, who, or how and is turning pages to find out. The reader may witness a person setting a bomb with a timer, but the characters don’t know they’re about to get blown to smithereens in ten minutes. In the above example about Jack, the reader will know Jack is heading toward the victim, but the victim is oblivious, or the victim will know someone is chasing them, but they don’t know who it is.
So, Jack’s story can be a Thriller or Suspense? Yes.
Often the categories will overlap. If there are scenes of suspense where the victim doesn’t know what’s coming, it could be categorized as Thriller/Suspense. If Sherlock’s story revealed the killer to the reader in the beginning and Sherlock was simply chasing him, it could be Mystery/Thriller. Generally, if the work falls into more than one of the above categories, a writer should narrow it down to two. A work of Mystery/Thriller/Suspense will only get lost in the shuffle. Narrow it down as much as you can.
Bottom line – Don’t fret too much about genre. If it’s a good story, readers will find it and buy it. It doesn’t matter what box the bookstore wants to put it in.
Lori Crane is a bestselling and award-winning author of historical fiction and the occasional thriller. Her books have climbed to the Kindle Top 100 lists many times, including “Elly Hays” which debuted at #1 in Native American stories. She has also enjoyed a place among her peers in the Top 100 historical fiction authors on Amazon, climbing to #23. She resides in greater Nashville and is a professional musician by night – an indie author by day.